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		<title>Selected works  </title>
				
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		<pubDate>Thu, 21 Jul 2022 21:19:37 +0000</pubDate>

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To be a host 
in a hosting country

Hospitality as empowerment in refugee camps


2021-20222
Master Thesis Project

Selected for the Dutch Design Week 2022
Exhibited at the Nieuwe Instituut, Gallery 3 Open Space, February - June 2024
Exhibited at the DEMO DAYS “ What makes a home”, Eindhoven 2024





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Archaeology on the move&#38;nbsp;

Storytelling 
as language of investigation
2021 
Netherlands, Marine Terrein



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On possibilities

of sound as physical connection
2020Netherlands, Royal Conservatory of The Hague

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Who Cares?

A radio tale
2018London, Gasework Gallery


&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/29df6eab109b2f4ecf07fbf3c0f71d3e7e2fbf7c7eb39212e2f36e79c699d9c4/2.jpg" data-mid="149970367" border="0"  src="https://freight.cargo.site/w/1000/i/29df6eab109b2f4ecf07fbf3c0f71d3e7e2fbf7c7eb39212e2f36e79c699d9c4/2.jpg" /&#62;
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The fallen church&#38;nbsp;

Re-use Italy&#38;nbsp;
2021




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Kaira Looro

Sacred Architecture
2017


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</description>
		
	</item>
		
		
	<item>
		<title>Competitions </title>
				
		<link>https://ilariapalmieri.com/Competitions</link>

		<pubDate>Sat, 30 Jul 2022 19:54:08 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/Competitions</guid>

		<description>
The fallen church&#38;nbsp;




Re-use Italy Project 
with Rebecca Brock and Marta GaudinoMarch 2021


 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#60;img width="7016" height="3670" width_o="7016" height_o="3670" data-src="https://freight.cargo.site/t/original/i/ef4ac4d8c758d84d870f7a2b515ef7326d5a5ebc917bfbc6d7fb5af1871d676d/4.jpg" data-mid="149193323" border="0"  src="https://freight.cargo.site/w/1000/i/ef4ac4d8c758d84d870f7a2b515ef7326d5a5ebc917bfbc6d7fb5af1871d676d/4.jpg" /&#62;


	
	


	

	




Kaira Looro




Sacred Architecture Project with Sara Barone and Mattia Ruscio

Tanaf, Senegal 2017





	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a15590edbb1587e8cb3234e0e64d39ecb8840409b0e88b3898b1323ef2493170/Cover_TIACIOALY.jpg" data-mid="149193381" border="0"  src="https://freight.cargo.site/w/1000/i/a15590edbb1587e8cb3234e0e64d39ecb8840409b0e88b3898b1323ef2493170/Cover_TIACIOALY.jpg" /&#62;





	




	

	







	


	




	

	


</description>
		
	</item>
		
		
	<item>
		<title>Exhibitions </title>
				
		<link>https://ilariapalmieri.com/Exhibitions</link>

		<pubDate>Wed, 06 Mar 2024 09:52:18 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/Exhibitions</guid>

		<description>


To be a host in a hosting country &#38;nbsp;Hospitality as empowerment in asylum seekers’ centersExhibition at Nieuwe Instituut, Open Space Gallery 3, Rotterdam February 16th till June 16th 2024




	
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To be a host in a hosting country &#38;nbsp;Hospitality as empowerment in asylum seekers’ centersExhibition at DEMO DAYS “What makes a home”, EindhovenSeptember 2024




	
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To be a host in a hosting country &#38;nbsp;Hospitality as empowerment in refugee centers

Exhibition at Dutch Design Week 2022, Eindhoven

&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/f592e58bc6823c1070d5a37e9072cb0de1359f2fbd171e8dc98c391f4c238d4b/photo_2023-09-15_16-26-12.jpg" data-mid="206155712" border="0"  src="https://freight.cargo.site/w/960/i/f592e58bc6823c1070d5a37e9072cb0de1359f2fbd171e8dc98c391f4c238d4b/photo_2023-09-15_16-26-12.jpg" /&#62;





	





	




	

	







	


	




	

	


</description>
		
	</item>
		
		
	<item>
		<title>To be a host in a hosting country </title>
				
		<link>https://ilariapalmieri.com/To-be-a-host-in-a-hosting-country</link>

		<pubDate>Fri, 22 Jul 2022 15:18:32 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/To-be-a-host-in-a-hosting-country</guid>

		<description>
To be a host in a hosting country
Hospitality as empowerment in asylum seekers’ centersMaster Thesis Project



Exhibited at the Nieuwe Instituut, Gallery 3 Open Space, February - June 2024
Exhibited at the DEMO DAYS “ What makes a home”, Eindhoven 2024


Selected for the Dutch Design Week 2022






&#60;img width="4131" height="2754" width_o="4131" height_o="2754" data-src="https://freight.cargo.site/t/original/i/0f56854bdecdae49cfeaddb9177b8116d22fd5bb7e94e7b045f257b75f039811/_02A3822.jpeg" data-mid="148831806" border="0"  src="https://freight.cargo.site/w/1000/i/0f56854bdecdae49cfeaddb9177b8116d22fd5bb7e94e7b045f257b75f039811/_02A3822.jpeg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

	The research - based project investigates&#38;nbsp;the social, spatial and political mechanisms that occur within the temporary housing and living conditions in asylum seekers' centres in the Netherlands. The emphasis is on gaining insight into the influence that such mechanisms can have on urban development policy regarding the construction and design of these types of facilities.


It speculates on the domestic environment that may emerge through processes of listening, tracing and drawing
together with those living on the front line of precariousness. 
Within
this trajectory, I created a participatory practice through which asylum seekers can
have the spatial agency to be host as an empowerment tool while living in
temporary structures far from home.








	&#60;img width="5266" height="3511" width_o="5266" height_o="3511" data-src="https://freight.cargo.site/t/original/i/06ee949af05d51ab1deaba25d22283863bd0210222ddacb8fba84eb0b9b7be90/_02A3763.jpeg" data-mid="148831797" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/06ee949af05d51ab1deaba25d22283863bd0210222ddacb8fba84eb0b9b7be90/_02A3763.jpeg" /&#62;
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	&#60;img width="5590" height="3727" width_o="5590" height_o="3727" data-src="https://freight.cargo.site/t/original/i/9422337693e738befd30b6c1c366b68210b84ea00a501a7f52dfda16115ce0b1/_02A3754.jpeg" data-mid="148831796" border="0"  src="https://freight.cargo.site/w/1000/i/9422337693e738befd30b6c1c366b68210b84ea00a501a7f52dfda16115ce0b1/_02A3754.jpeg" /&#62;
	&#60;img width="5614" height="3743" width_o="5614" height_o="3743" data-src="https://freight.cargo.site/t/original/i/d5c604b52f2c12461d43d59d10710258c84ab997b0c347e61e3b7d59f39a05cc/_02A3783.jpeg" data-mid="148831801" border="0"  src="https://freight.cargo.site/w/1000/i/d5c604b52f2c12461d43d59d10710258c84ab997b0c347e61e3b7d59f39a05cc/_02A3783.jpeg" /&#62;
























While migration is often addressed at national or continental levels, this project focuses on the everyday lives of asylum seekers—how they navigate legal systems and exclusion in the places they find shelter, work, and a sense of home. It introduces diverse research methods to bring forward lived experiences often overlooked by urban and housing policies.

&#38;nbsp;


Through this work, I developed The Art of Invitation, a participatory practice implemented through workshops in several asylum seeker centres across the Netherlands. Using drawing and mapping, the workshops invited participants to reflect on claiming space by becoming hosts, turning these reflections into small, context-specific actions to foster agency within temporary living environments.






The practice raised questions around public and private space, identity, and belonging, while exposing policy gaps that overlook the social and spatial needs of asylum seekers. In response, I proposed a new planning chapter for municipalities titled To Be a Host in a Hosting Country, offering guiding principles for designing refugee centres grounded in care and community.



This proposal comes to life not only with a new
wording but also with illustrations that show how the architectural drawing is no longer exclusively
about spatial configurations but includes traces and objects of everyday use
and patterns. The hope is that The Art
of Invitation will constitute a base for the allocation of asylum seekers’ centres
with the presence of a communal space to practice hospitality.




	
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	&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/e90e934f70bc81143e4aa2deb4cc71d6eb917e0c501f38bc282a60b311bdbc48/_02A3768.jpeg" data-mid="148831798" border="0"  src="https://freight.cargo.site/w/1000/i/e90e934f70bc81143e4aa2deb4cc71d6eb917e0c501f38bc282a60b311bdbc48/_02A3768.jpeg" /&#62;



credit @Giulia Menicucci


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	&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/790bdfb63955cb9c52d5e806eb9a54c861e02b4e4b204b5d02a5e6d0a2232e85/c.jpg" data-mid="148836205" border="0"  src="https://freight.cargo.site/w/1000/i/790bdfb63955cb9c52d5e806eb9a54c861e02b4e4b204b5d02a5e6d0a2232e85/c.jpg" /&#62;





	&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/eba0098eb8e9dc1b76c1c28853935d9c084380068bc6cd574d92d6fd5c48fc2b/f.jpg" data-mid="148836208" border="0"  src="https://freight.cargo.site/w/1000/i/eba0098eb8e9dc1b76c1c28853935d9c084380068bc6cd574d92d6fd5c48fc2b/f.jpg" /&#62;



	&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/6ab4298a5b13c4001ee78d8e9e13b9684fe7bad8db691d3f28ea5111364f970e/roll-3.8.jpg" data-mid="149037686" border="0"  src="https://freight.cargo.site/w/1000/i/6ab4298a5b13c4001ee78d8e9e13b9684fe7bad8db691d3f28ea5111364f970e/roll-3.8.jpg" /&#62;

	
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	&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/e9d42b8c7ba57628e1e182f0ccd2c5771cfc845d90d61a864574e372b8b01978/13.jpg" data-mid="149037649" border="0"  src="https://freight.cargo.site/w/1000/i/e9d42b8c7ba57628e1e182f0ccd2c5771cfc845d90d61a864574e372b8b01978/13.jpg" /&#62;




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	&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/b6684d889af16cb5aab51ad29901777877d29b55656424a7b8aa22a30a5fc50f/27.jpg" data-mid="149037651" border="0"  src="https://freight.cargo.site/w/1000/i/b6684d889af16cb5aab51ad29901777877d29b55656424a7b8aa22a30a5fc50f/27.jpg" /&#62;



To be a host in a hosting country&#38;nbsp; &#38;nbsp;Master Thesis 2021-2022
interview by Bni&#38;nbsp;





	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/d5f16c1ad271476a815c5b0e62a6a00f9c84980c579b5e6950e8242a3291f601/tesi-1.jpg" data-mid="149822966" border="0" data-scale="100" src="https://freight.cargo.site/w/960/i/d5f16c1ad271476a815c5b0e62a6a00f9c84980c579b5e6950e8242a3291f601/tesi-1.jpg" /&#62;
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	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/b00d86357c0e5e7a23c09c849005b7a555f9a17407e8eb6d0c3d1e389d014fab/photo_2022-08-07_18-37-13.jpg" data-mid="149825296" border="0"  src="https://freight.cargo.site/w/960/i/b00d86357c0e5e7a23c09c849005b7a555f9a17407e8eb6d0c3d1e389d014fab/photo_2022-08-07_18-37-13.jpg" /&#62;
	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/29a5ab3ae6221bfb5336df3b38a478c51aa024863097a924847f8f4be1873345/photo_2022-08-07_18-45-40.jpg" data-mid="149825482" border="0"  src="https://freight.cargo.site/w/960/i/29a5ab3ae6221bfb5336df3b38a478c51aa024863097a924847f8f4be1873345/photo_2022-08-07_18-45-40.jpg" /&#62;


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&#60;img width="1280" height="838" width_o="1280" height_o="838" data-src="https://freight.cargo.site/t/original/i/711c6862ae31d8874b0264bb7702d35031bafdf374521ceb75b64556063e26f5/photo_2022-07-30_20-18-32.jpg" data-mid="149187133" border="0"  src="https://freight.cargo.site/w/1000/i/711c6862ae31d8874b0264bb7702d35031bafdf374521ceb75b64556063e26f5/photo_2022-07-30_20-18-32.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>To be a host in a hosting country TESI</title>
				
		<link>https://ilariapalmieri.com/To-be-a-host-in-a-hosting-country-TESI</link>

		<pubDate>Mon, 18 Sep 2023 09:18:39 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/To-be-a-host-in-a-hosting-country-TESI</guid>

		<description>
To be a host in a hosting country
Hospitality as empowerment in refugee camps
Master Thesis Project 2021-2022

&#60;img width="1280" height="838" width_o="1280" height_o="838" data-src="https://freight.cargo.site/t/original/i/711c6862ae31d8874b0264bb7702d35031bafdf374521ceb75b64556063e26f5/photo_2022-07-30_20-18-32.jpg" data-mid="191081834" border="0"  src="https://freight.cargo.site/w/1000/i/711c6862ae31d8874b0264bb7702d35031bafdf374521ceb75b64556063e26f5/photo_2022-07-30_20-18-32.jpg" /&#62;&#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

	Many possible solutions are being given to the extent of providing shelters for migrants in precariousness. Many of these solutions seem to attempt to normalise precarity.&#38;nbsp; But so little attention has been given to the perception the migrants have of that precariousness Then how can my response to such phenomena go beyond merely providing shelter to understanding the relationship between displacement and belonging? How can longing be turned into belonging? How can hospitality to the stranger be made a
legitimate basis for the narrative of citizenship?






interview by Bni&#38;nbsp;





	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/d5f16c1ad271476a815c5b0e62a6a00f9c84980c579b5e6950e8242a3291f601/tesi-1.jpg" data-mid="191081842" border="0" data-scale="100" src="https://freight.cargo.site/w/960/i/d5f16c1ad271476a815c5b0e62a6a00f9c84980c579b5e6950e8242a3291f601/tesi-1.jpg" /&#62;
	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/68c92dfaf3ccd8d0ada836a01eaffa7bcb0bada41d2033edf2b48ab3b70096f9/tesi-2-.jpg" data-mid="191081843" border="0"  src="https://freight.cargo.site/w/960/i/68c92dfaf3ccd8d0ada836a01eaffa7bcb0bada41d2033edf2b48ab3b70096f9/tesi-2-.jpg" /&#62;

	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/b00d86357c0e5e7a23c09c849005b7a555f9a17407e8eb6d0c3d1e389d014fab/photo_2022-08-07_18-37-13.jpg" data-mid="191081844" border="0"  src="https://freight.cargo.site/w/960/i/b00d86357c0e5e7a23c09c849005b7a555f9a17407e8eb6d0c3d1e389d014fab/photo_2022-08-07_18-37-13.jpg" /&#62;
	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/29a5ab3ae6221bfb5336df3b38a478c51aa024863097a924847f8f4be1873345/photo_2022-08-07_18-45-40.jpg" data-mid="191081846" border="0"  src="https://freight.cargo.site/w/960/i/29a5ab3ae6221bfb5336df3b38a478c51aa024863097a924847f8f4be1873345/photo_2022-08-07_18-45-40.jpg" /&#62;


	&#60;img width="1280" height="1253" width_o="1280" height_o="1253" data-src="https://freight.cargo.site/t/original/i/9b149fd164b491c727c641549eb91625e5047cf8984886d11c148f7634d7a185/photo_2022-08-07_18-42-35.jpg" data-mid="191081845" border="0"  src="https://freight.cargo.site/w/1000/i/9b149fd164b491c727c641549eb91625e5047cf8984886d11c148f7634d7a185/photo_2022-08-07_18-42-35.jpg" /&#62;


	
&#60;img width="2472" height="3504" width_o="2472" height_o="3504" data-src="https://freight.cargo.site/t/original/i/a92b4689bf81f6ee12f96d8f2dc18a3a120531e9e7a34ba1a538bc92f4311098/Nicco-San-Saba-interni.jpg" data-mid="191085959" border="0"  src="https://freight.cargo.site/w/1000/i/a92b4689bf81f6ee12f96d8f2dc18a3a120531e9e7a34ba1a538bc92f4311098/Nicco-San-Saba-interni.jpg" /&#62;
Some of the drawing made by asyluum seekers during the interview sessions.&#38;nbsp;


	&#60;img width="3217" height="2392" width_o="3217" height_o="2392" data-src="https://freight.cargo.site/t/original/i/4a92a89eac2e8649c7001fe24ffdd3096003402beea417ca50d78bb189f0b12e/Nicco-San-Saba.jpg" data-mid="191085962" border="0"  src="https://freight.cargo.site/w/1000/i/4a92a89eac2e8649c7001fe24ffdd3096003402beea417ca50d78bb189f0b12e/Nicco-San-Saba.jpg" /&#62;&#60;img width="2480" height="2424" width_o="2480" height_o="2424" data-src="https://freight.cargo.site/t/original/i/0ff1a681a03ebf10a3fff6c6ede78ba253214e09d82ae4884caf140805e6eff6/Camilo-1.jpg" data-mid="191085922" border="0"  src="https://freight.cargo.site/w/1000/i/0ff1a681a03ebf10a3fff6c6ede78ba253214e09d82ae4884caf140805e6eff6/Camilo-1.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Archeology on the move </title>
				
		<link>https://ilariapalmieri.com/Archeology-on-the-move</link>

		<pubDate>Tue, 26 Jul 2022 19:40:45 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/Archeology-on-the-move</guid>

		<description>

Archeology on the move&#38;nbsp;Storytelling as language of investgation
Project 
with Mae Alderliesten

Marine Terrein, Amsterdam

&#60;img width="2279" height="1535" width_o="2279" height_o="1535" data-src="https://freight.cargo.site/t/original/i/f42fe966bafa434bff9569a4956c70e32c42a169ee9d0cf69aac10fa57efecfa/000010.jpg" data-mid="149038431" border="0"  src="https://freight.cargo.site/w/1000/i/f42fe966bafa434bff9569a4956c70e32c42a169ee9d0cf69aac10fa57efecfa/000010.jpg" /&#62;


 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	Is it possible to include archaeology as a method to investigate the social and urban potentiality of a built environment? Archaeology on the Move aims to investigate this question using the Marine Terrein as an angle of exploration. Thanks to its possibilities to work as a connector and as creator of narratives, archaeology combines in one precise place different times, stories, and paths. It represents a network that conveys many different aspects of an urban environment. 
The Marine terrein works exactly in this way but its times, stories and places are unknown by its users. The urgency of disclosing them is the core of Archaeology on the Move&#38;nbsp;using walking and storytelling as research methods.

This not only provides interaction between users but creates a process of regeneration and understanding of the local identities of the Marine Terrein.

Archaology becomes then a study of the historic, present and future of mankind based on artefacts, found underground as well as above ground. 
Artefacts being objects, stories, systems and traces of the development of the city. 
Archaeology is about preserving, telling and creating narratives. Opening up opportunities to think ahead for the future.





	&#60;img width="2279" height="1535" width_o="2279" height_o="1535" data-src="https://freight.cargo.site/t/original/i/0d93b43710cbfb02e40a9c47167a50756df4d11211372313c4638efa7f974285/4.jpg" data-mid="149038260" border="0"  src="https://freight.cargo.site/w/1000/i/0d93b43710cbfb02e40a9c47167a50756df4d11211372313c4638efa7f974285/4.jpg" /&#62;
	&#60;img width="2279" height="1535" width_o="2279" height_o="1535" data-src="https://freight.cargo.site/t/original/i/92e0854843c1110a71efde26b34cebf698f2627b76f517b7a5c2e1ece95c7a8f/3.jpg" data-mid="149038014" border="0"  src="https://freight.cargo.site/w/1000/i/92e0854843c1110a71efde26b34cebf698f2627b76f517b7a5c2e1ece95c7a8f/3.jpg" /&#62;


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Walking becomes an act of counter-mapping, and listening a spatial practice. Together, they unveil the site as an open, ongoing archaeological and investigative field – one that constructs multiple temporalities through the agencies of both human and non-human actors, who act as witnesses and evidence alike.

Through walking, we negotiate conflict and recompose narratives: the conflict between the visible and the invisible, between what is valued and what remains intangible. This process invites a different understanding of spatiality.

An archaeology of feelings emerges – one that describes space through time, tracing personal contributions to the site’s ongoing story. It becomes an act of transmission, a continuous transfer of information and affect, where everything is understood as connected – a living network in motion.


&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/22403b7ac50b9ac6168df652ab6c57eda1e720a8b94e9166ee84643c34ac8ffd/5.jpg" data-mid="149038831" border="0"  src="https://freight.cargo.site/w/1000/i/22403b7ac50b9ac6168df652ab6c57eda1e720a8b94e9166ee84643c34ac8ffd/5.jpg" /&#62;




Research Paper&#38;nbsp;
The metabolism of architectureResearch as critical practice


	
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/066a43c922a69602baf058e7f185e386c781a6081d7d38e811ca728fbd74645e/photo_2022-07-29_20-04-36.jpg" data-mid="149106491" border="0"  src="https://freight.cargo.site/w/960/i/066a43c922a69602baf058e7f185e386c781a6081d7d38e811ca728fbd74645e/photo_2022-07-29_20-04-36.jpg" /&#62;

	&#60;img width="1280" height="939" width_o="1280" height_o="939" data-src="https://freight.cargo.site/t/original/i/d12a90cf43f55a4c93fa991633208e2947c73ecfbcecce5c3bc859851c517c87/4-ok.jpg" data-mid="149106774" border="0"  src="https://freight.cargo.site/w/1000/i/d12a90cf43f55a4c93fa991633208e2947c73ecfbcecce5c3bc859851c517c87/4-ok.jpg" /&#62;




	&#60;img width="1280" height="935" width_o="1280" height_o="935" data-src="https://freight.cargo.site/t/original/i/eebef0ab837d7a27eadd295e506c72f042449860ab828004ace9d835311635d5/3-ok.jpg" data-mid="149106773" border="0"  src="https://freight.cargo.site/w/1000/i/eebef0ab837d7a27eadd295e506c72f042449860ab828004ace9d835311635d5/3-ok.jpg" /&#62;

	&#60;img width="1280" height="944" width_o="1280" height_o="944" data-src="https://freight.cargo.site/t/original/i/c58b76674e25be1c7ade2347af0f5625f6a5d042a51e9af4ef01f1edd8fb780f/2-ok.jpg" data-mid="149106772" border="0"  src="https://freight.cargo.site/w/1000/i/c58b76674e25be1c7ade2347af0f5625f6a5d042a51e9af4ef01f1edd8fb780f/2-ok.jpg" /&#62;


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	<item>
		<title>Feeling Sold </title>
				
		<link>https://ilariapalmieri.com/Feeling-Sold</link>

		<pubDate>Mon, 18 Sep 2023 08:57:35 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/Feeling-Sold</guid>

		<description>

Feeling Sold&#38;nbsp;Zine publication
Edition of 20Riso printing on EOS 90gr paper
 

Project realized in collaboration with Common Ground Practice&#38;nbsp;



&#60;img width="1280" height="852" width_o="1280" height_o="852" data-src="https://freight.cargo.site/t/original/i/c27a84406a08d1b99b889498f17270d7821358cf81f12dced3f275739105ef5d/photo_2023-09-15_16-13-30.jpg" data-mid="191079754" border="0"  src="https://freight.cargo.site/w/1000/i/c27a84406a08d1b99b889498f17270d7821358cf81f12dced3f275739105ef5d/photo_2023-09-15_16-13-30.jpg" /&#62;

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The market of employment requires us to present ourselves through curriculum vitae (CV).A A4 document where we are supposed to fit educational and working life. No matters what brought us from experience 1 to experience 2; the more the document looks like a list, the better it is. We are used to knowing that highlighting the names of the offices where we worked and the amount of time spent there is a good move to catch the attention of the reader. Should that be the priority? Or should our struggles and emotions be manifested?







	&#60;img width="1280" height="852" width_o="1280" height_o="852" data-src="https://freight.cargo.site/t/original/i/937a41552b3083ee9fce4016704dcce99136614497e670fc651fe133786fcccc/photo_2023-09-15_16-13-32.jpg" data-mid="191079504" border="0"  src="https://freight.cargo.site/w/1000/i/937a41552b3083ee9fce4016704dcce99136614497e670fc651fe133786fcccc/photo_2023-09-15_16-13-32.jpg" /&#62;
	&#60;img width="1280" height="852" width_o="1280" height_o="852" data-src="https://freight.cargo.site/t/original/i/f74a3195cb376310109a2bf91ba5322aebe320677fa7775af643478691257b5d/photo_2023-09-15_16-13-22.jpg" data-mid="191079497" border="0"  src="https://freight.cargo.site/w/1000/i/f74a3195cb376310109a2bf91ba5322aebe320677fa7775af643478691257b5d/photo_2023-09-15_16-13-22.jpg" /&#62;


	&#60;img width="1280" height="852" width_o="1280" height_o="852" data-src="https://freight.cargo.site/t/original/i/e0cfec2dbb6bcf6e1ad60ec9d1093af8a1fa1331fb5fad50b8dc3b74cf9be3f4/photo_2023-09-15_16-13-16.jpg" data-mid="191079495" border="0"  src="https://freight.cargo.site/w/1000/i/e0cfec2dbb6bcf6e1ad60ec9d1093af8a1fa1331fb5fad50b8dc3b74cf9be3f4/photo_2023-09-15_16-13-16.jpg" /&#62;

	&#60;img width="1280" height="844" width_o="1280" height_o="844" data-src="https://freight.cargo.site/t/original/i/110dd89e224973f1747f0aa46575830ad92db42702c78ef30c63709e387adc89/photo_2023-09-15_16-13-29.jpg" data-mid="191079501" border="0"  src="https://freight.cargo.site/w/1000/i/110dd89e224973f1747f0aa46575830ad92db42702c78ef30c63709e387adc89/photo_2023-09-15_16-13-29.jpg" /&#62;







	&#60;img width="1280" height="852" width_o="1280" height_o="852" data-src="https://freight.cargo.site/t/original/i/c248160f85b797dd5d1d31d244797b346e3e3b34553e1febb818901b77da8a4e/photo_2023-09-15_16-12-49.jpg" data-mid="191079491" border="0"  src="https://freight.cargo.site/w/1000/i/c248160f85b797dd5d1d31d244797b346e3e3b34553e1febb818901b77da8a4e/photo_2023-09-15_16-12-49.jpg" /&#62;

	&#60;img width="1280" height="852" width_o="1280" height_o="852" data-src="https://freight.cargo.site/t/original/i/707308afc187a429816f287603d7358f28282c74319f3a05b0fbc3bc8744aa25/photo_2023-09-15_16-13-09.jpg" data-mid="191079492" border="0"  src="https://freight.cargo.site/w/1000/i/707308afc187a429816f287603d7358f28282c74319f3a05b0fbc3bc8744aa25/photo_2023-09-15_16-13-09.jpg" /&#62;





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	&#60;img width="1280" height="852" width_o="1280" height_o="852" data-src="https://freight.cargo.site/t/original/i/02aea603d82be939da21da1a30d296b09d38dcd8bfaae3e89cf21dcf128f4fa8/photo_2023-09-15_16-13-24.jpg" data-mid="191079498" border="0"  src="https://freight.cargo.site/w/1000/i/02aea603d82be939da21da1a30d296b09d38dcd8bfaae3e89cf21dcf128f4fa8/photo_2023-09-15_16-13-24.jpg" /&#62;



&#60;img width="852" height="1280" width_o="852" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4b23d0dd3a78b90b11ab4153330ea430b42a235891e5b9fc2898cb91ae356bf2/photo_2023-09-15_16-13-26.jpg" data-mid="191079499" border="0"  src="https://freight.cargo.site/w/852/i/4b23d0dd3a78b90b11ab4153330ea430b42a235891e5b9fc2898cb91ae356bf2/photo_2023-09-15_16-13-26.jpg" /&#62;


credit @Georgina Pantazopoulou






	
	


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	<item>
		<title>Writing </title>
				
		<link>https://ilariapalmieri.com/Writing</link>

		<pubDate>Mon, 18 Sep 2023 11:13:29 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/Writing</guid>

		<description>

WritingThis page is being updated&#38;nbsp;




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</description>
		
	</item>
		
		
	<item>
		<title>Illustrations</title>
				
		<link>https://ilariapalmieri.com/Illustrations</link>

		<pubDate>Sun, 10 Mar 2024 16:32:56 +0000</pubDate>

		<dc:creator>Ilaria Palmieri </dc:creator>

		<guid isPermaLink="true">https://ilariapalmieri.com/Illustrations</guid>

		<description>

IllustrationsThis page is being updated&#38;nbsp;




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